This documentary belongs to the Halloween Collection #HALLOWEEN@ORCHADELISA
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Channel
@OrchadeLiSa
On this record: Topic · Growth · Engagement · Reactions · Posts · Cite this entry
325subscribers
-13 since we began measuring on 7 August 2026
Risers and fallers across the register · movement among entries of Under 1,000.
| Telegram ID | -1002671988502 |
|---|---|
| Type | Channel |
| Username | @OrchadeLiSa |
| Created | Between 1 March 2025 and 31 July 2025 — estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 8 August 2026 |
| Last confirmed live | 7 October 2026 |
| Measurements held | 8 |
| Confirmed unchanged | 1 time, most recently 7 October 2026 |
| On Telegram | t.me/OrchadeLiSa |
Film & TV — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 22 September 2026 and assigned it the closest of 31 fixed categories, at 100% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 7 Oct 2026, 21:19 | 325 | -1 |
| 28 Sept 2026, 02:41 | 326 | -5 |
| 14 Sept 2026, 03:40 | 331 | -3 |
| 7 Sept 2026, 12:18 | 334 | -4 |
| 21 Aug 2026, 07:06 | 338 | -1 |
| 8 Aug 2026, 07:03 | 339 | no change |
| 8 Aug 2026, 05:48 | 339 | +1 |
| 7 Aug 2026, 17:32 | 338 | first reading |
19 posts held, back to 7 November 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 page of Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 19 posts for this entry, the most recent from 12 November 2025. An engagement rate over an empty window would be a number about nothing.
2,023 reactions across 19 posts, in 18 distinct kinds. The most used accounts for 38.6% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| ⚡ | 780 | 38.6% | |
| 💔 | 360 | 17.8% | |
| 🍾 | 238 | 11.8% | |
| 🏆 | 135 | 6.67% | |
| 👾 | 99 | 4.89% | |
| 😱 | 92 | 4.55% | |
| 🔥 | 79 | 3.91% | |
| 👻 | 57 | 2.82% | |
| 🎃 | 44 | 2.17% | |
| custom 5195319662467907060 | 34 | 1.68% | |
| custom 5208706950975487946 | 33 | 1.63% | |
| custom 5197233066103308996 | 32 | 1.58% | |
| custom 5206394901360576143 | 23 | 1.14% | |
| custom 5974399714617987696 | 6 | 0.297% | |
| custom 5197345912074019541 | 5 | 0.247% | |
| custom 5971863416170615187 | 3 | 0.148% | |
| custom 5283119209293817878 | 2 | 0.099% | |
| custom 5300913087002477586 | 1 | 0.049% |
Custom emoji. 9 of the rows above are Telegram custom emoji, which the public preview renders as an element carrying only a numeric id — no character, and no image we can reach. The id is printed as-is rather than substituted with a look-alike glyph, because a stand-in would be our invention showing where a measurement should be. The counts beside them are Telegram’s.
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 19 of the 19 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 2,023 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 19 most recent posts we hold, published 7 November 2025 to 12 November 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
This documentary belongs to the Halloween Collection #HALLOWEEN@ORCHADELISA
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In the misty shadows of Scotland, 1590, when fear ruled hearts and the word “witch” could seal a person’s fate begins the haunting story uncovered by National Geographic’s masterpiece: “Witches: Truth Behind the Trials.”🎃✨ A journey through a time when superstition outweighed reason, and darkness wore the mask of justice. Visually stunning, eerily poetic this documentary pulls you into the forgotten corners of hist…
🎃44
https://youtu.be/g2vCaxHllg0?si=AtyCSePGqyTEfhpo
🔥79custom 53009130870024775861
رُسمت لوحة داوود وجالوت، المعروضة في متحف برادو بمدريد، في بداية مسيرة الفنان الفنية، عندما كان أحد أفراد أسرة الكاردينال فرانشيسكو ماريا ديل مونتي. تُظهر اللوحة داوود المذكور في الكتاب المقدس صبيًا صغيرًا يمسك برأس جالوت العملاق، بطل الفلسطينيين، من شعره. لا يُضيء الضوء إلا ساق داوود وذراعه وخاصرته، وجذع جالوت الضخم الذي قُطع رأسه منه، ورأس العملاق نفسه، أما بقية اللوحة فهي مظلمة. في البداية، كان وجه جالوت جامدًا في…
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David and Goliath🗽 oil on canvas 110 x 90 cm Caravaggio 1600 #ArtemisiaVsCaravaggio@OrchadeLiSa The David and Goliath in the Museo del Prado, Madrid, was painted at the beginning of the artist's career, while he was a member of the household of Cardinal Francesco Maria Del Monte. It shows the Biblical David as a young boy picking up the head of the giant Goliath, the champion of the Philistines, by the hair. The lig…
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تُعتبر هذه اللوحة من أشهر أعمالها. تُظهر اللوحة جوديث وهي تقطع رأس هولوفرنيس، في نفس اللحظة التي رسمها كارافاجيو. لا يُعرف الكثير عن تاريخ اللوحة المبكر؛ ومع ذلك، يعتقد العديد من الباحثين أنها رُسمت أثناء إقامة أرتميسيا في روما. لا توجد معلومات حتى الآن عن راعي هذه اللوحة الفنية. في مرحلة ما من تاريخ اللوحة، قُطع الجزءان الأيسر والأعلوي، تاركين نسخة مختصرة من اللوحة الأصلية. فسّر النقاد النسويون الأوائل اللوحة على أن…
🏆135
The painting is considered one of her iconic works. The canvas shows Judith beheading Holofernes, so the exact same moment as Caravaggio. Little is known of the painting's early history; many scholars, however, believe it was created while Artemisia was still living in Rome. There is no information as of yet on the patron of this artwork. At some point in the painting's history, the left and top parts were cut off, l…
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Judith Slaying Holofernes Oil on canvas 158.8 cm x 125.5 cm Artemisia Gentileschi c. 1612-1613🐾🌟 #ArtemisiaVsCaravaggio@OrchadeLiSa
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Artemisia vs Caravaggio Artemisia Gentileschi and Caravaggio, two titans of Baroque painting, shared a dramatic and vivid style and often subjects of their works, yet each brought their own unique flair to the canvas. Caravaggio, known for his intense use of chiaroscuro and unflinching realism, influenced a generation of artists, including Gentileschi. However, Artemisia Gentileschi, one of the few celebrated female…
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كما يروي أوفيد في "التحولات"، اغتصب نبتون ميدوسا الجميلة في معبد مينيرفا. وعقابًا لها، حوّلت الإلهة شعر ميدوسا الرائع إلى ثعابين، وجعلت نظرها يحول المشاهد إلى حجر. وأخيرًا، نجح برسيوس، بمساعدة درع عاكس، في الاقتراب منها وقتلها. رأى معاصرو روبنز في ميدوسا أكثر من مجرد مخلوق مرعب، فقد فُسِّرت على أنها انتصار للعقلانية على أعداء الفضيلة، وإمكانية للسيطرة على العواطف وممارسة رباطة الجأش من خلال واقعية لا هوادة فيها. يُرج…
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As Ovid relates in The Metamorphoses, Neptune raped the beautiful Medusa in the temple of Minerva. In punishment the goddess transformed Medusa’s magnificent hair into snakes and caused her glance to turn the viewer to stone. Finally, Perseus succeeded with the aid of a mirrored shield in approaching and slaying her. Rubens’ contemporaries saw in the Medusa more than a horrifying creature. It was interpreted both as …
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The Head of Medusa oil on canvas 68.5 x 118 cm Peter Paul Rubens🚬 #HALLOWEEN@ORCHADELISA
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Showing the 12 most recent of 19 posts we hold for @OrchadeLiSa. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 7 October 2026 — this entry's latest reading, not the date you are reading this.
“𝐎rchadé𝐋i𝐒a” (@OrchadeLiSa), 325 subscribers as measured 7 October 2026. Telegram Register, tgregister.com/channel/OrchadeLiSa.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.