Channel
@Metronompodcast
On this record: Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
6,928subscribers
-9 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 3,162–10,000.
| Telegram ID | -1001369966908 |
|---|---|
| Type | Channel |
| Username | @Metronompodcast |
| Created | 14 November 2018 — measured — cross-checked against a third-party dataset (TGDataset) |
| First recorded | 6 August 2026 |
| Last confirmed live | 13 August 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 13 August 2026 |
| On Telegram | t.me/Metronompodcast |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 13 Aug 2026, 13:58 | 6,928 | -9 |
| 10 Aug 2026, 17:41 | 6,937 | +1 |
| 7 Aug 2026, 08:45 | 6,936 | -1 |
| 6 Aug 2026, 12:37 | 6,937 | first reading |
19 posts held, back to 17 December 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 10 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 11 August 2026 |
|---|---|
| Posts held | 19 (17 December 2025 – 11 August 2026) |
| Views total | 1,080 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 12 Aug 2026, 02:35 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Measured directly from 14 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
ترانه «خنده خنده» با صدای الهه از فیلم «مردی که رنج میبَرد»محصول ۱۳۳۶. این احتمالا تنها فیلم موجود از زندهیاد مجید وفادار آهنگساز وموسیقدان نامی است. بهارغلامحسینی (الهه)توسط وفادار وارد دنیای موسیقی شد و نخستبا نام هنری پریچهر فعالیت کرد و از این فیلم به بعد رسما نام هنری خود را به الهه عوض کرد. البته الهه قبلا از این همدر فیلم آخرین شب بازی کرده و ترانه خوانده بود. «خنده خنده » یکی دیگر از همکاریهای به یاد م…
🎼 پادکست مترونوم pinned a photo
بزرگداشت هایده به همت بنیاد فرهنگ لسآنجلس. «روزهای روشن» آهنگساز:فرید زلاند،شعر :اردلانسرفراز ارکستر با تنظیم و رهبری شهرداد روحانی، خواننده سارا حمیدی. اردلان سرفراز در مصاحبه ای میگوید شعر را سال ۱۳۵۸ و بعد از مشاهده وقایع پس از انقلاب سرودم. مانند کسی که از خواب بیدار شود و اوضاع آخر الزمانی را شاهد باشد.
خانم آذرعظیما از خوانندگان قدیمی رادیو و برنامه گلها ۲۰ اردیبهشت ۱۴۰۵ درگذشت و خبرآن دیروز پس از تاخیر یکماه منتشر شد. خانم عظیما که بواسطه ازدواج با مرتضی حنانه موسیقیدان مشهور به آذرحنانه هم مشهور بود از سال ۱۳۳۳ به واسطه آشنایی با ابوالحسن صبا به رادیو راه یافت و در برنامه گلهای رادیو فعالیت داشت.
آذر محبی تهرانی در سال ۱۳۴۳ و با معرفی عطالله خرم وارد رادیو شد.بخاطر اشتباه نشدن نام او با خانم آذر عظیما که قبل اووارد رادیو شده بود، داود پیرنیا نام هنری «رامش» را برای او انتخاب کرد. رامش در این مصاحبه با منوچهرنوذری به این تغییر نام اشاره می کند.
عکس جالبی از ژاله علو و پروانه نامور (جعفری نمازی) ترانه مشهور «مرا ببوس» نخستینباردر فیلم اتهام (۱۳۳۵) با آهنگسازی مجیدوفادار و با صدای پروانه و لب زدن وبازی ژاله پخش شد. سه سال بعد آن ،اجرای حسن گلنراقی از این ترانه باعث شهرت بسیار وماندگاری آن شد. قسمت ۴۲ مترونوم درباره زندگی و آثار پروانه نامور است. #ژاله_علو #پروانه_نامور #مرا_ببوس #مجید_وفادار
به یاد زندهیاد همامیرافشار ترانهسرای بزرگ موسیقی ایران هماهمایون پس از ازدواجبا علی میرافشار به همامیرافشارتغییرنام داد.این ازدواج هما را بادخترعموی همسرش،پروانه امیرافشار(حمیرا)نزدیکتر کرد و باعث خلق ترانههای زیادی برای حمیراشد. همزبونم باش (۱۳۵۵)در مایه شوشتری با آهنگ ناصرخان چشم آذر،شعر همامیرافشار وسهتارجادویی مجتبی میرزاده.
شبهای تهران محصول ۱۳۳۲ و به کارگردانی سیامک یاسمی است. متاسفانه نسخه کاملی از این فیلم در دسترس نیست. از معدود قسمتهای موجود صحنهای اجرای ترانه مشهور شبهای تهران است. دراین صحنه جمشید مهرداد و خانم آریان دیده میشود که برروی ترانه شبهای تهران با صدای پروانه لب میزند. قسمت ۴۲ پادکست مترونوم درباره این ترانه مشهور قدیمی ساخته مجید وفادار با شعری از کریم فکور است. #پادکست_مترونوم #شبهای_تهران #مجید_وفادار #پروانه…
Photo, posted without a caption
قسمت چهل دوم پادکست مترونوم . در این قسمت به ترانه خاطرهانگیز شبهای تهران از ساختههای مجیدوفادار وبا شعری از کریم فکور پرداختیم .ترانهای که با صدای پروانه جعفری نمازی برای فیلمی به همین نام اجرا شد و بعدها بازخوانیهای زیادی از آن شد. #پادکست_مترونوم #پروانه_جعفری_نمازی #مجید_وفادار
قسمت چهل دوم پادکست مترونوم بعد شش ماه منتشرشد. در این قسمت به ترانه خاطرهانگیز شبهای تهران از ساختههای مجیدوفادار وبا شعری از کریم فکور پرداختیم .ترانهای که با صدای پروانه جعفری نمازی برای فیلمی به همین نام اجرا شد و بعدها بازخوانیهای زیادی از آن شد. #پادکست_مترونوم #پروانه_جعفری_نمازی #مجید_وفادار
🎼 پادکست مترونوم pinned a photo
Showing the 12 most recent of 19 posts we hold for @Metronompodcast. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 160,689 of 1,189,255entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
Named by 2 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 13 August 2026 — this entry's latest reading, not the date you are reading this.
“🎼 پادکست مترونوم” (@Metronompodcast), 6,928 subscribers as measured 13 August 2026. Telegram Register, tgregister.com/channel/Metronompodcast.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.