Channel
@GalleriaVirtuale
On this record: Growth · Engagement · Reactions · Posts · Citations · Cite this entry
1,213subscribers
+0 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1002299888624 |
|---|---|
| Type | Channel |
| Username | @GalleriaVirtuale |
| Created | Between 1 September 2024 and 31 March 2025— estimated from Telegram’s id allocation, not measured. How this range is calculated. |
| First recorded | 6 August 2026 |
| Last confirmed live | 14 August 2026 |
| Measurements held | 4 |
| Confirmed unchanged | 1 time, most recently 14 August 2026 |
| On Telegram | t.me/GalleriaVirtuale |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 14 Aug 2026, 02:07 | 1,213 | +1 |
| 10 Aug 2026, 22:31 | 1,212 | -1 |
| 7 Aug 2026, 18:01 | 1,213 | no change |
| 6 Aug 2026, 22:02 | 1,213 | first reading |
20 posts held, back to 10 July 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 1 pageof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 30 July 2026 |
|---|---|
| Posts held | 20 (10 July 2026 – 30 July 2026) |
| Views total | 5,667 |
| Reactions total | 64 |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 6 Aug 2026, 22:02 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
91 reactions across 20 posts, in 6 distinct kinds. The most used accounts for 30.8% of them.
| Reaction | Count | Share | Share, drawn |
|---|---|---|---|
| 😍 | 28 | 30.8% | |
| 👍 | 27 | 29.7% | |
| 👏 | 26 | 28.6% | |
| 🔥 | 4 | 4.40% | |
| 🤩 | 4 | 4.40% | |
| 😱 | 2 | 2.20% |
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 20 of the 20 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 91reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 20 most recent posts we hold, published 10 July 2026 to 30 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
🎨 Dame cachetant une lettre (Woman Sealing a Letter) 🧑🎨 Étienne Fessard da Jean Siméon Chardin 🇫🇷 🖌 Incisione, XVIII secolo In Dame cachetant une lettre, Étienne Fessard traduce in incisione una raffinata composizione di Jean Siméon Chardin dedicata a un momento apparentemente semplice della vita quotidiana: una donna intenta a chiudere e sigillare una lettera. Come spesso accade nell’arte di Chardin, un gesto ord…
👍4
🎨 Le Château de cartes (The House of Cards) 🧑🎨 Pierre Filloeul da Jean Siméon Chardin 🇫🇷 🖌 Incisione, XVIII secolo In Le Château de cartes, Pierre Filloeul traduce in incisione una delle celebri composizioni di Jean Siméon Chardin dedicate all’infanzia. Un ragazzo è assorto nella costruzione di un fragile castello di carte, trasformando un semplice gioco in una meditazione sulla concentrazione, sulla pazienza e sul…
👍1👏1🤩1
🎨 La Bonne éducation (The Good Education) 🧑🎨 Jacques-Philippe Le Bas da Jean Siméon Chardin 🇫🇷 🖌 Incisione, XVIII secolo In La Bonne éducation, Jacques-Philippe Le Bas traduce in incisione una composizione di Jean Siméon Chardin dedicata a uno dei temi più cari alla sensibilità del Settecento: l’educazione dei giovani e la trasmissione dei valori attraverso la vita quotidiana. Chardin porta l’attenzione su un momen…
👍3
🎨 La Fontaine (La fontana) 🧑🎨 Charles-Nicolas Cochin I da Jean Siméon Chardin 🇫🇷 🖌 Incisione, XVIII secolo 🏛 Louvre Museum, Parigi In La Fontaine, Charles-Nicolas Cochin I traduce in incisione una composizione di Jean Siméon Chardin dedicata a un momento semplice della vita quotidiana. Come spesso accade nell'arte di Chardin, un soggetto apparentemente ordinario diventa occasione per osservare con attenzione la dig…
👏2🔥1
🎨 A Ship on the High Seas Caught by a Squall, Known as ‘The Gust’ (La raffica) 🧑🎨 Willem van de Velde II 🇳🇱 🖌 Olio su tela, XVII secolo 🏛 National Gallery, London, Londra In The Gust, Willem van de Velde II rappresenta una delle più celebri scene marine del Seicento olandese, catturando un momento di improvviso turbamento atmosferico in mare aperto. Una nave viene sorpresa da una raffica di vento (la “squall”), men…
😍4👍1
🎨 La Blanchisseuse (La lavandaia) 🧑🎨 Charles-Nicolas Cochin I da Jean Siméon Chardin 🇫🇷 🖌 Incisione, XVIII secolo 🏛 Louvre Museum, Parigi In La Blanchisseuse, Charles-Nicolas Cochin I traduce in incisione una composizione di Jean Siméon Chardin dedicata alla vita domestica e al lavoro quotidiano. La scena raffigura una lavandaia immersa nelle sue mansioni, rappresentata con grande dignità e sobrietà, secondo la sen…
👏3
🎨 The Home Fleet Saluting the State Barge 🧑🎨 Jan van de Cappelle 🇳🇱 🖌 Olio su tela, XVII secolo 🏛 National Gallery, London, Londra In The Home Fleet Saluting the State Barge, Jan van de Cappelle rappresenta una delle sue tipiche scene marittime di grande raffinatezza atmosferica, ambientata nelle acque della Repubblica delle Province Unite nel XVII secolo. Il dipinto raffigura la flotta olandese che rende omaggio a…
😍5👍1
🎨 La Rixe (The Brawl) 🧑🎨 Charles-Melchior Descourtis da Nicolas Antoine Taunay 🇫🇷 🖌 Acquaforte e acquatinta colorata, fine XVIII secolo 🏛 National Gallery of Art, Washington, D.C. In La Rixe (La rissa), Charles-Melchior Descourtis traduce in incisione una composizione di Nicolas Antoine Taunay dedicata a un improvviso episodio di violenza in un contesto popolare. La scena si svolge all’aperto, probabilmente durante…
👏4👍1
🎨 Prince William I nursed by his Wife Charlotte de Bourbon after the Abortive Attempt on his Life by Jean Jaurequi in Antwerp in 1582 🧑🎨 Nicolaas Pieneman 🇳🇱 🖌 Olio su tela, XIX secolo 🏛 Rijksmuseum, Amsterdam In Prince William I nursed by his Wife Charlotte de Bourbon after the Abortive Attempt on his Life by Jean Jaurequi in Antwerp in 1582, Nicolaas Pieneman mette in scena un episodio della vita di William the S…
😍4👏1🔥1
🎨 Tête de Flore 🧑🎨 Louis-Marin Bonnet da François Boucher 🇫🇷 🖌 Stampa a colori (puntasecca e incisione a più matrici), XVIII secolo 🏛 National Gallery of Art, Washington, D.C. In Tête de Flore, Louis-Marin Bonnet traduce in una raffinata stampa a colori una delicata testa femminile di François Boucher, maestro indiscusso del rococò francese. L’opera raffigura Flora, dea della primavera e dei fiori, incarnazione ide…
🔥2😱2👍1🤩1
🎨 The Inauguration of King William II in the Nieuwe Kerk in Amsterdam on 28 November 1840 🧑🎨 Nicolaas Pieneman 🇳🇱 🖌 Olio su tela, 1840–1845 🏛 Rijksmuseum, Amsterdam In The Inauguration of King William II in the Nieuwe Kerk in Amsterdam on 28 November 1840, Nicolaas Pieneman celebra uno dei momenti fondamentali della monarchia costituzionale olandese: l’incoronazione di William II of the Netherlands nella Nieuwe Ker…
👍3👏2😍1
🎨 Foire de Village (Fiera di villaggio) 🧑🎨 Charles-Melchior Descourtis da Nicolas Antoine Taunay 🇫🇷 🖌 Acquaforte e acquatinta colorata, fine XVIII secolo 🏛 National Gallery of Art, Washington, D.C. In Foire de Village, Charles-Melchior Descourtis traduce in incisione una vivace composizione di Nicolas Antoine Taunay dedicata alla vita popolare delle campagne francesi. La scena rappresenta una fiera di villaggio, mo…
😍3👍1🤩1
Showing the 12 most recent of 20 posts we hold for @GalleriaVirtuale. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 1,002,646 of 1,350,102entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Named by 3 registered channels — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.
Named by
Channels on the register whose posts name this channel's handle.
A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 14 August 2026 — this entry's latest reading, not the date you are reading this.
“Galleria Virtuale” (@GalleriaVirtuale), 1,213 subscribers as measured 14 August 2026. Telegram Register, tgregister.com/channel/GalleriaVirtuale.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.