8 measurements spanning 20 days, net +20. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 4,353–4,381 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)
Subscribers
Change
26 Aug 2026, 00:56
4,378
+11
22 Aug 2026, 15:14
4,367
+2
19 Aug 2026, 03:24
4,365
+4
16 Aug 2026, 02:04
4,361
-3
12 Aug 2026, 15:17
4,364
+8
9 Aug 2026, 09:52
4,356
-2
6 Aug 2026, 04:05
4,358
no change
6 Aug 2026, 00:34
4,358
first reading
Engagement
11 posts held, back to 6 June 2025 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 6 pagesof Telegram’s post history, 20 posts per page.
Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 11 posts for this entry, the most recent from 29 October 2025. An engagement rate over an empty window would be a number about nothing.
Reaction mix
49 reactions across 10 posts, in 3 distinct kinds. The most used accounts for 89.8% of them.
Every reaction kind recorded on the sample, most used first
Reaction
Count
Share
Share, drawn
❤
44
89.8%
👏
4
8.16%
👍
1
2.04%
No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.
Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.
Coverage. Reactions were read on 11 of the 11 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 49reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.
Measured over the 11 most recent posts we hold, published 6 June 2025 to 29 October 2025, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.
🎭 دیالوگ
به او گفتم بر آب روان خانه ساختهام.
گفت خانه امنگاه است و آب روان، روشنانِ جهان.
خانه تویی، آب منم، و من بر خنکای آب خفتم.
📘 از نمایشنامهی «با دهانبند سکوت» ✍️ نوشتهی محمد چرمشیر
#نمایشنامه #چرمشیر #با_دهان_بند_سکوت #تئاتر #دیالوگ
🎭 نمایشنامه: کرکس
✍️ نویسنده: سودابه فضایلی
🧩 ژانر: تراژدی مدرن، نمادین، اسطورهای
📌 موضوع: مرگ، بقا، تقدیر، خیانت، سرنوشت تراژیک انسان
📖 خلاصه:
«کرکس» یکی از نمایشنامهی دوران جوانی سودابه فضایلی است که در دههی ۴۰ نوشته شد؛ متنی آوانگارد و تجربهگرا که در زمان خود کمتر دیده شد، اما امروز بهعنوان اثری ارزشمند از مدرنیسم و نمادگرایی درام ایرانی شناخته میشود.
این نمایشنامه با زبان انتزاعی و نمادین، سرنوشت انسان ر…
🎭 نمایشنامه: حذفیات
✍️ نویسنده: مهدی ضیاء چمنی
🧩 ژانر: درام اجتماعی، روانشناختی، واقعگرا
📌 موضوع: خانواده، تنهایی، بحران نوجوانی، انقیاد اجتماعی، فاصله نسلها
👥 شخصیتها:
▪️ شیما – دختر ۱۷ ساله، پر از سوال، در جستوجوی هویت و رهایی
▪️ مادر – زنی خسته، درگیر گذشته و ناامنیهای روانی، گرفتار در نقشهای اجتماعی
▪️ کیانوش – شخصیتی که از صحنه ششم وارد میشود و مسیر روایت را تغییر میدهد
📖 خلاصه:
«حذفیات» روایتی است ا…
🎭 نمایشنامه: رولور
✍️ نویسنده: پوریا کاکاوند
🧩 ژانر: درام واقعگرا، روانشناختی، اجتماعی
📌 موضوع: خیانت، برادری و برادرکُشی، مکافات، فروپاشی رابطهها
👥 شخصیتها:
▪️ محسن – کسی که در گذشته خیانت کرده و اکنون باید پاسخگوی گذشتهاش باشد
▪️ رضا – قربانی خیانت محسن؛ مردی زخمخورده و روبهروی او با رولوری در دست
📖 خلاصه:
دو مرد پس از چهل سال دوباره مقابل هم میایستند.
رضا با اسلحهای در دست، محسن را به یاد گذشتهای میان…
🔻 سفر اولیس بر صحنه…
از خاطرهها تا سایهها، از اسطوره تا حقیقت.
«اودیسه» نه بازگشت است، نه فرار—بلکه ایستادن در آینهی خویش.
🎭 تصاویری از اجرای نمایشنامه «اودیسه» تأملبرانگیز را ببینید.
🎭 نمایشنامه: کبوتری ناگهان
✍️ محمد چرمشیر
📌 روایت زنانی از اندرونی خانهای قجری، که در دل سکوت و سنت، زخمی به نام «بیفرزندی» و زنی دیگر، تعادل را بر هم میزند.
👩🦰 نزهت جهان و صنم، با دو جایگاه اجتماعی متفاوت، با درد مشترکی روبهرو میشوند و تقابلی شکل میگیرد که فراتر از حسادت و انتقام است؛ با عزتنفس، سکوت، و تصمیمی زنانه…
🪔 زبانی شاعرانه، فضایی قجری و روایتی عمیق درباره زنان، مادر شدن و مرزهای میان طبقهها...
…
💔 میترسم بیدارت کنم
✍️ نویسنده: کریم پزشگی
📘 یک نمایشنامهی کوتاه، روانشناختی و تاثیرگذار در دل تاریکی ذهن.
درامی احساسی از پدری گرفتار کابوس، سوگ و خاطرات گمشده.
با فضایی وهمآلود و دیالوگهایی که ذهن مخاطب را به چالش میکشد.
🎭 تعداد شخصیتها:
۲ بازیگر اصلی
۳–۴ صدا (قابل اجرا با افکت یا بازیگر پنهان)
📂 فرمت فایل: PDF
📢 اگر شما هم نمایشنامهای نوشتهاید و مایلید در این کانال معرفی یا منتشر شود،
از طری…
مایل هستید نمایشنامههای کدام نویسنده ایرانی را در کانال قرار دهیم؟
محمد چرمشیر29%
فرهاد مهندسپور4%
لیلی عاج2%
کورش نریمانی7%
نغمه ثمینی12%
علیرضا نادری11%
حمید امجد4%
محمد رحمانیان11%
نادر برهانیمرند3%
محمد مساوات16%
Shares as published, totalling 99%. No per-option vote count is published by Telegram, so none is shown.
❤9
Signed ●▬▬๑۩۩๑❀امیر شهبازنژند❀๑۩۩๑▬▬●
Showing the 11 most recent of 11 posts we hold for @theateracc. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Polls
The poll we hold for this entry, as Telegram rendered it when we read the post. A poll’s figures keep moving after that, so each one is dated.
مایل هستید نمایشنامههای کدام نویسنده ایرانی را در کانال قرار دهیم؟
محمد چرمشیر29%
فرهاد مهندسپور4%
لیلی عاج2%
کورش نریمانی7%
نغمه ثمینی12%
علیرضا نادری11%
حمید امجد4%
محمد رحمانیان11%
نادر برهانیمرند3%
محمد مساوات16%
Shares as published, totalling 99%. No per-option vote count is published by Telegram, so none is shown.
Percentages only — there are no per-option vote counts here, because Telegram publishes none.The public post preview gives each option’s share and a single voter total, and nothing else. Multiplying one by the other would produce a per-option tally that looks measured and is not: the shares are rounded to whole numbers before we ever see them. We print what was published and leave the column that does not exist empty.
The shares need not add up to 100.Rounding alone puts many polls at 99 or 101. A poll that allows more than one answer per voter runs well past 100 by design, and several here do. The bars are drawn against a fixed 100% track at each option’s own percentage rather than normalised to the total, so a poll that exceeds it shows that it does instead of being quietly rescaled.
Read from the 11 most recent posts we hold, published 6 June 2025 to 29 October 2025. Telegram labels each poll by kind — an anonymous poll, a quiz, a closed set of final results — and that label is reproduced rather than paraphrased.
Handles this channel named that no longer answer
Dead references
1
handles named in this channel’s posts, vacant today
Evidenced gone
0
we ourselves saw one of these resolve, at some point
Never seen alive
1
vacant every time we have ever looked
@theateracc named 1 handle that resolve to nothing today. That is a fact about the reference, not necessarily a fact about the handle’s history — see the two groups below.
Most of these may never have existed as a live channel at all.A handle a channel names can be a typo, an aspirational name nobody registered, or a channel that was already gone before this one ever mentioned it. Unless a row below is marked evidenced, all we know is that it references a handle that is not a live channel today — not that anything “died”. How this is measured.
Never seen alive
References a handle that is not a live channel — we have no record it ever was one.
@nomaieshname named in 2 posts, 8 August 2026 – 9 August 2026
Cite this entry
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 26 August 2026 — this
entry's latest reading, not the date you are reading this.
“مرجع تخصصی نمایشنامه” (@theateracc), 4,378 subscribers as measured 26 August 2026. Telegram Register, tgregister.com/channel/theateracc.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.