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Channel

Татарский театр оперы и балета им.Джалиля

@kazan_opera

On this record: Topic · Growth · Engagement · What this channel posts · Reactions · Posts · Citations · Cross-platform identity · Cite this entry

5,583subscribers

-27 since we began measuring on 7 August 2026

Risers and fallers across the register · movement among entries of 3,162–10,000.

Register entry

Telegram ID-1001461568392
TypeChannel
Username@kazan_opera
Created11 March 2022 — measured — cross-checked against a third-party dataset (ext.tg_channel)
First recorded7 August 2026
Last confirmed live22 October 2026
Measurements held18
Confirmed unchanged1 time, most recently 22 October 2026
On Telegramt.me/kazan_opera

Topic

Other / unclassifiable — a classification, not a measurement. An on-box language model (Qwen3.6-35B-A3B-FP8, prompt version 1) read this channel’s own recent posts on 12 September 2026 and assigned it the closest of 31 fixed categories, at 70% confidence. This is a model’s judgement about what the channel is likely to be about, not a fact this register measured the way a subscriber count or a view count is measured — it can be revised on a later pass, and it carries no weight anywhere else on this page. How this classification works, and why it has no browse page of its own yet.

Growth

5,5785,6105,5947 August 2026 — 5,610 subscribers7 August 2026 — 5,610 subscribers10 August 2026 — 5,606 subscribers16 August 2026 — 5,598 subscribers22 August 2026 — 5,594 subscribers28 August 2026 — 5,588 subscribers30 August 2026 — 5,586 subscribers2 September 2026 — 5,583 subscribers7 September 2026 — 5,581 subscribers11 September 2026 — 5,583 subscribers15 September 2026 — 5,578 subscribers19 September 2026 — 5,581 subscribers29 September 2026 — 5,585 subscribers7 October 2026 — 5,582 subscribers13 October 2026 — 5,583 subscribers16 October 2026 — 5,586 subscribers19 October 2026 — 5,584 subscribers22 October 2026 — 5,583 subscribers5,5837 August 202622 October 2026
18 measurements spanning 76 days, net -27. Dots are measurements; the straight line between them is drawn to join them, not to claim we know the path taken in between — snapshots are recorded only when a count changes, so gaps mean “no change observed”, never “interpolated”. The vertical axis spans 5,573–5,615 and does not start at zero.
Measurement log — every subscribers count we have recorded
Measured (UTC)SubscribersChange
22 Oct 2026, 10:275,583-1
19 Oct 2026, 01:505,584-2
16 Oct 2026, 00:265,586+3
13 Oct 2026, 07:565,583+1
7 Oct 2026, 02:365,582-3
29 Sept 2026, 23:205,585+4
19 Sept 2026, 16:365,581+3
15 Sept 2026, 00:365,578-5
11 Sept 2026, 18:395,583+2
7 Sept 2026, 12:225,581-2
2 Sept 2026, 13:225,583-3
30 Aug 2026, 22:555,586-2
28 Aug 2026, 00:335,588-6
22 Aug 2026, 14:065,594-4
16 Aug 2026, 20:165,598-8
10 Aug 2026, 13:035,606-4
7 Aug 2026, 21:585,610no change
7 Aug 2026, 13:175,610first reading

Engagement

5 posts held, back to 29 May 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 7 pages of Telegram’s post history, 20 posts per page.

Nothing published in the last 30 days. ERR and ER are rolling 30-day measures, so there is nothing to compute — we hold 5 posts for this entry, the most recent from 5 July 2026. An engagement rate over an empty window would be a number about nothing.

What this channel posts

Video runtime
2m 56s
Average length
1m 28s

Measured directly from 2 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.

Reaction mix

65 reactions across 4 posts, in 6 distinct kinds. The most used accounts for 70.8% of them.

Every reaction kind recorded on the sample, most used first
ReactionCountShareShare, drawn
❤4670.8%
👍1523.1%
❤‍🔥11.54%
😍11.54%
🤨11.54%
🥱11.54%

No sentiment is inferred, and none should be read in. This table is ordered by count and by nothing else. Emoji do not carry stable meaning across languages or communities — 🙏 is thanks in one channel and mourning in another — so we publish which ones were pressed and how often, and pass no judgement on what an audience meant by them.

Precision. Telegram publishes reaction counts per emoji and short-forms each one — 4.34K, 1.2M — so any single kind at or above 1,000 reaches us at three significant figures, and only counts below 1,000 are exact. The shares above are ratios of those figures and carry the same error. This is also why the total here can differ slightly from a reaction total printed elsewhere on the page: both are sums of the same rounded parts, taken over samples with different edges.

Coverage. Reactions were read on 4 of the 5 sampled posts in this sample. Summed by Telegram’s own count on each post — not by adding up the per-emoji breakdown above — those same posts carry 65 reactions in total: the kind of figure the paragraph above means by “a reaction total printed elsewhere on the page”.

Measured over the 5 most recent posts we hold, published 29 May 2026 to 5 July 2026, using the newest reading held for each. Telegram Stars are excluded: they are a payment, not a reaction, and they have their own section.

Recent posts

5 Jul 2026, 18:57 UTCviews —

Татарский театр оперы и балета им.Джалиля pinned a photo

29 May 2026, 17:29 UTC≈2,930 views29 reactionsread 12 August 2026
Video

39-й Нуриевский фестиваль движется к своему завершению. Минувшим вечером на сцене @kazan_opera представили один из заключительных спектаклей форума - балет «Дон Кихот», показ которого был посвящен юбилею заслуженного артиста России и Татарстана Владимира Яковлева. Впервые участие в постановке в редакции Владимира Алексеевича приняли солисты Мариинского театра Яна Пенева (Китри) и Алексей Ороховски (Базиль). После сп…

❤23👍5🤨1

29 May 2026, 17:28 UTC≈2,040 views10 reactionsread 12 August 2026
Photo

27 мая в Розовой гостиной @kazan_opera прошла заключительная лекция параллельной программы XXXIX Нуриевского фестиваля, на которой зрители погрузились в мир великого танцовщика, чье имя носит балетный форум. Театровед Катерина Новикова, поддерживающая тесную связь с современниками Рудольфа Нуриева - Аллой Осипенко, Роланом Пети, Пьером Лакоттом, Зизи Жанмер, Шарлем Жюдом, четой Хоххаузер и другими, - рассказала, как…

❤5👍3❤‍🔥1😍1

29 May 2026, 17:27 UTC≈1,320 views13 reactionsread 12 August 2026
Photo

«Герой, выструганный из куска древесины, храбро завоевывал мировое пространство» 26 мая на сцене @kazan_opera прошел показ балета Петра Чайковского «Щелкунчик». Делимся с вами новым выпуском Дневника, в котором балетовед Александр Максов рассказал об очередном вечере XXXIX Нуриевского фестиваля.

❤8👍5

29 May 2026, 17:26 UTC≈1,160 views13 reactionsread 12 August 2026
Video

Концерт, где голоса наполняют пространство светом и духовным смыслом 17 июня на сцене Большого концертного зала им. Сайдашева хор @kazan_opera под руководством Юрия Карпова исполнит «Всенощное бдение» Сергея Рахманинова - одну из главных вершин русской духовной и хоровой музыки. Сочинение, созданное в разгар Первой Мировой войны, стало отражением противоречий в обществе, тревог за судьбу своей страны. Через обращен…

❤10👍2🥱1

Showing the 5 most recent of 5 posts we hold for @kazan_opera. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.

Mentions

Named by 1 registered channel — every channel on the register whose own posts have named this one, by its current username or any other username it currently holds, merged from two separately captured readings of the same fact so a namer caught by only one of them is not missed and a namer both caught is not counted twice. A username this channel has since dropped is not matched — that handle may belong to someone else now, and crediting today’s namer to yesterday’s owner would misattribute it.

Named by

Channels on the register whose posts name this channel's handle.

A mention is a weaker signal than a forward and is counted separately for that reason — naming a channel is not republishing it, and a handle in a post body is easy to place deliberately. The post counts beside each row below are distinct posts in which the handle appeared, from posts we have read on both sides — the “Named by N registered channels” figure above is a different count, of distinct NAMING CHANNELS rather than posts, and is not the sum of the rows under it.

Cross-platform identity — Wikidata

A Wikidata item names this Telegram handle as belonging to the entity it describes. This is Wikidata’s claim, not a verification made by this register — nobody here confirmed that the account is genuinely operated by the entity named. Wikidata content is CC0; every fact below is dated to when it was read from Wikidata, not to when the association was first made there.

Q2047744 on Wikidata, read 18 October 2026
LabelKazan Opera and Ballet Theatre
Descriptiontheatre in Kazan, Russia
YouTubeUCQLzZkyz2DDDv-XPdyHNUtQ
Official sitehttps://kazan-opera.ru/

Cite this entry

A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 22 October 2026 — this entry's latest reading, not the date you are reading this.

“Татарский театр оперы и балета им.Джалиля” (@kazan_opera), 5,583 subscribers as measured 22 October 2026. Telegram Register, tgregister.com/channel/kazan_opera.

Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.