Channel
@ctmfestival
On this record: Growth · Engagement · What this channel posts · Posts · Citations · Cite this entry
3,155subscribers
-9 since we began measuring on 6 August 2026
Risers and fallers across the register · movement among entries of 1,000–3,162.
| Telegram ID | -1001363621931 |
|---|---|
| Type | Channel |
| Username | @ctmfestival |
| Created | 19 February 2020 — measured — cross-checked against a third-party dataset (ext.tg_channel) |
| First recorded | 6 August 2026 |
| Last confirmed live | 16 August 2026 |
| Measurements held | 6 |
| Confirmed unchanged | 1 time, most recently 16 August 2026 |
| On Telegram | t.me/ctmfestival |
| Measured (UTC) | Subscribers | Change |
|---|---|---|
| 16 Aug 2026, 03:58 | 3,155 | -1 |
| 12 Aug 2026, 09:02 | 3,156 | -4 |
| 9 Aug 2026, 11:06 | 3,160 | -2 |
| 6 Aug 2026, 21:03 | 3,162 | -2 |
| 6 Aug 2026, 11:01 | 3,164 | no change |
| 6 Aug 2026, 09:49 | 3,164 | first reading |
19 posts held, back to 30 June 2026 — the reader has not yet reached the start of this channel’s public history, so older posts may sit further back, unread. Read across 3 pagesof Telegram’s post history, 20 posts per page.
ERR is average views per post over the last 30 days divided by subscribers, the definition TGStat uses, so this figure is comparable with the one you will see elsewhere. It falls structurally as a channel grows: a high ERR on a small channel and a low one on a large channel describe reach mathematics, not quality. We publish the figure and the sample it came from and pass no verdict on it.
ER is defined industry-wide as (forwards + reactions + comments) ÷ views— note the denominator is views, not subscribers. Telegram’s public web preview carries views and reactions but not forward or comment counts, so the reaction rate above is the reactions term only and is therefore a floor: the true ER for this channel is higher by an amount we have not measured and will not estimate.
| Window | Rolling 30 days · latest post in window 7 August 2026 |
|---|---|
| Posts held | 19 (30 June 2026 – 7 August 2026) |
| Views total | 7,255 |
| Reactions total | — |
| Forwards / comments | not exposed by the public surface — not measured, not estimated |
| Readings taken | 7 Aug 2026, 23:45 UTC |
Views are a single reading per post, taken at the time above. A post published in the last day or two is still accumulating views, which pulls the 30-day average down slightly. That is a property of the standard definition rather than a fault in it, so we keep the definition rather than “correcting” the number into something nobody can reproduce.
Precision. Telegram publishes view counts on its public widget in short form — 8.12K, 3.7M — so any reading at or above 1,000 reaches us rounded to three significant figures, and only counts below 1,000 are exact. Averages and rates derived from them are shown to the same precision rather than to the unit: a figure like 3,701,250 would assert digits nobody measured.
Reaction counts are published per emoji and rounded the same way, so a total below 1,000 is exact and a larger one is a sum that may carry a rounded component from each emoji above 1,000. Because it is a sum, it does not look rounded — read a large reaction total as three significant figures per contributing emoji rather than as the figure it prints.
Measured directly from 5 videos with a duration reading, out of the posts we hold for this channel — not this channel’s whole posting history, only the sample this register has actually read. An exact reading to the second, taken from the post itself rather than from Telegram’s own rounded chrome, so it carries no ≈ mark.
Mirroring the ancient corrguíneacht tradition of standing on one leg with one eye closed to curse corrupt power, the Ireland of One Leg One Eye is built upon the bog of primal Celtic lore and twilight shadowland, upon pagan mysticism and buried leylines writhing beneath the abandoned industrial decay of modern Dublin. Uilleann pipes are warped, traditional sean-nós vocals rent into the echo-drenched keenings of sover…
Presented in collaboration with Deutsche Oper, Icelandic composer Bára Gísladóttir will perform a rare presentation of her work »Silva« on 25 November. Drawing equally from contemporary classical rigor and the physical thrust of experimental music, »Silva« imagines a forest rooting itself into darkness rather than light. Co-headlining the night, Polish composer and electro-acoustic instrumentalist Robert Piotrowicz …
Joining One Leg One Eye on Sep 7, Bridget Ferrill operates upon acoustic instruments, subjecting them to severe digital violence and spatial distortion until naught is left but skeleton. Debasing harp, church organ, and microtonal tuba with what she terms »false additive synthesis«, her instrument builder and audio engineering background allows her to weaponize her feedback, extracting hidden agonizing frequencies fr…
As part of Transgressive Memory Festival 2026, our curated Sep 12 night Unstable Hallucinations threads elements of our long-term project Resynthesising the Traditional. Marcin Pietruszewski and Lukas de Clerck explore the ancient Greco-Roman aulos; Dania’s speculations sonically reanimate Mesopotamian museum artifacts; and Stefan Fraunberger transfigures Transylvania’s decaying pipe organs. Here, idealized versions…
In collaboration with Neue Nationalgalerie, the music series Sound In The Garden returns to the sculpture gardens of the museum for five days in August. The final day features the return of the celebrated fog sculpture by iconic Japanese artist Fujiko Nakaya, with a day-long program of expansive sonic dialogues in tribute to these ethereal works of art. Day I: Gigi Masin & Marco Baldini, Valentina Magaletti & Upsamm…
In just five days—Violent Magic Orchestra and PΞB open up a pit of Death Rave at Urban Spree 💀 › Remaining tickets
Open Call: Research Networking Day Apply by 25 October 2026. We’re seeking proposals for short presentations at our 2027 Research Networking Day that respond to the CTM 2027 theme, Process…ing. The call is aimed at graduate or postgraduate students – as well as independent artists conducting self-guided research – traversing the fields of audio, arts, media, design, and related theoretical disciplines.
Open Call: In Listening Apply by 6 September 2026. After more than a decade, we’ve shifted the CTM Radio Lab into a new format titled »In Listening«. This call is for works grounded in experimental sound and audio art, and driven by conceptual approaches or sonic narratives. It supports exploration at the blurred edges between sound, music, storytelling, poetry, documenting and more, while reflecting on ideas, stor…
Announcing CTM 2027’s theme - Proccess...ing. We live in a present saturated by predefined scripts, hungry algorithms, and extractivist protocols, increasingly turning us into providers within systems we did not build. As the speed and complexity of these routines accelerate, they incapacitate our fundamental need to actually process what is happening around and within us, sacrificing agency, spontaneity, and our ca…
Three new Open Calls for Residencies from transmediale are now online 🔔 This year’s open calls seek proposals offering alternatives to how we understand, respond to, and shape the technological conditions we inhabit. Each resident will receive a monthly stipend plus additional support for self-organized housing in Berlin, plus travel and accommodation for the festival in January 2027.
Less than 60 tickets remain for our powerful August 6th double bill with Ragana and Dis Fig + Spixe—better act fast while those tickets are still available 🩸
Job Opening: Our sister festival transmediale is looking for a full-time Project Manager to take responsibility for the detailed planning and smooth implementation of the festival program in close cooperation with the program, production, and administration team. If you love art, music, organization, and working with some of the nicest people in Berlin, apply now by July 26th 🧬
Showing the 12 most recent of 19 posts we hold for @ctmfestival. View and reaction counts are the latest single reading for each post, not a live figure, and a recent post is still accumulating both. A view count marked ≈ was rounded by Telegram before we ever saw it — t.me prints views in full below 1,000 and to three significant figures above, so ≈1,200,000 means somewhere between 1,150,000 and 1,249,999. Unmarked counts are exact. Text is reproduced from the public post preview and truncated for length.
Citation-graph rank — 1,170,254 of 1,481,306entries in the measured graph. A weighted position computed from the forward and mention edges below — republished posts weigh more than named mentions — and recomputed periodically, over the whole graph. Published only as this ordinal position, never as a score: a position is a fact, and a score printed beside one channel’s name would read as a verdict this register does not make. The two counts beneath stay separate for the same reason mentions are never summed with forwards anywhere else on this page — a named-by count costs nothing to manufacture. The top 100 by this measure, or how it is computed.
Republished by
Channels on the register that have forwarded this channel's posts into their own feed.
Built only from forwarded posts we have actually read, on both sides. Coverage is early and deliberately incomplete: a missing link means we have not read the post that would prove it, never that the relationship does not exist. Counts are distinct forwarded posts observed, so they only ever go up as we read more.
A live page changes as we take new readings, so a citation should name the measurement it is based on, not just the URL. The line below cites the subscriber count as measured 16 August 2026 — this entry's latest reading, not the date you are reading this.
“CTM Festival” (@ctmfestival), 3,155 subscribers as measured 16 August 2026. Telegram Register, tgregister.com/channel/ctmfestival.
Full measurement history, CC BY 4.0. Every reading this register holds for this entry, not just the latest one, as a dated, downloadable record: CSV · JSON. Free to use with attribution to tgregister.com. Each file carries its own generation timestamp, which is the figure to cite for exactly when the data was retrieved.